Pretentious Yet Pointless
Contrasts of night and day march across the foreground of this sketch. The piece shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. The gently contorted rapidly flying elements in this sketch, despite appearing disarmingly simple at first glance, create in the mind invaluable cultural relics... Such forms, violent and disconcerting, create complex and fascinating interactions with the environment. Contrasts of the senses of sight and smell emphasise the broad scope of the picture.
The figured background enriches the eternal interaction of Yin and Yang. Such forms, both monumental and tranquil, create a strong interaction of forces. Such forms, serene and tranquil, create complex and fascinating interactions with the environment.
The figured ground belies the spiritual dimension and its endless possibilities. It is useful to note that the major feature of Shaker æsthetics is that it enables Sol Aris to understand the composition in terms of area, rather than representational versimilitude. In neo-impressionism, the visual phenomena of the external world are, in themselves, empty: the only worthy thing is feeling, as such.
The image shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. This work is integral to one of the central preoccupations of Sol Aris's art, the creation of the arena of contrasting tone and hue where the scale and openness to the sculpture is the eternal interaction of Yin and Yang. A notable feature of the prototype is that it is a reflection of the artist's soul. A central underlying meaning of this particular work is that it is a division of space that parallels the divisions and interstices of the mind. A perpetually evolving evanescence, the outstanding aesthetic sensibility of which never changes, is always in a different form by the mere presence of the reviewer. An important part of this work is the world of night and day contrasting strongly with the world of the dualistic essense of unreality and the child's tongue so clearly visible. Such forms, quietly formal, create strong gestalt sensations.