Pretentious Yet Pointless

	Pretentious Yet Pointless

Artist:	Aris, Sol
Medium:	Acrylics on virtual canvas
Title:	Randomly generated image 1133677605
Date:	Sun Nov 8 15:33:06 UTC 2026
Description:	In constructive colour theory, the visual phenomena of the objective world are, in themselves, meaningless: the only worthy thing is feeling, as such. The beribboned background belies an image of the process of creation. The here and now experience of size and perception of Sol Aris's previous works are clearly visible here, but in a different form. Sol Aris has not supplied the colour pallette of this work. The viewer is drawn by the extraordinarily refined aesthetic sensibility of the work into the world of images steeped in meaning and emotion. The major feature of constructive colour theory is that it encourages the artist to define form in terms of area, rather than mass. A perpetually changing network, the outstanding aesthetic sensibility of which is always the same, is sometimes transformed by the understanding of the reviewer. A constantly evolving evanescence, the relationship of the spectator of which never changes, is sometimes completely altered by the mere presence of the environment. A notable feature of the work is that it is a division of space that parallels our innermost confusion. A deep underlying meaning of this particular piece is that it is the essential contrast between pattern and texture. Such forms, both serene and poetic, create complex and fascinating interactions with the environment. Sol Aris has not described the aspect ratio of this image. Contrasts of night and day emphasise the foreground of the sketch. The layers of approaching curves are intertwined in a homage to misery. In this doodle Sol Aris demonstrates clearly the relationship between pepper and white wine. The idea behind the Suprematist school is that it encourages the viewer to define the composition in terms of dimensionality, rather than odour. The spectator is drawn by the relationship of the spectator of the work into the world of contrast of the senses of sight and sound. ``The artist is more a facilitator than an authoritarian with his materials and thus expresses `sympathy with matter'.'' [Robert Morris: Works of the Eighties, p.26., Edward F. Fry and Donald P. Kuspit]
	next work