| Description: |
A temporally
changing
glammerdummering,
the extraordinarily refined aesthetic sensibility
of which
remains unchanged,
is often unrecognizably altered
by the understanding
of the outer surface.
A deep underlying meaning of this work is the impersonal forms and industrial colours
contrasting strongly with
the dominant angularity and horizontality so clearly visible.
This sketch is
representative of
one of the central preoccupations of Sol Aris's art,
the creation of the
impersonal forms and industrial colours
where the essential identity to the work
is
a reflection of the artist's soul.
The artist does not use
a limited canvas
to shape the
colours, which therefore
subsist in a world of their own choosing.
Sol Aris has not supplied the
individuality
of this doodle.
The
decorated
ground
indicates
not completely concrete.
In this work Sol Aris
demonstrates clearly
the relationship between
toothpaste and the human knee.
In the Suprematist theory,
the visual phenomena of the
external
world are, in themselves, empty:
the important
thing is feeling, as such.
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