| Description: |
In the Suprematist school,
the visual phenomena of the
external
world are, in themselves, unimportant:
the only worthy
thing is feeling, as such.
The piece shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
Such forms, quietly formal, create disarmingly strong sensations.
A notable feature of this sculpture is the strongly
curved
rapidly
soaring
components
contrasting strongly with
the impersonal forms and industrial colours to indicate the eternal contrast of Yin and Yang.
Sol Aris has not described the
individuality
of this painting.
The
never-ending
curves
are
forever engraved
in a tribute to
misery.
In this picture Sol Aris
depicts
the relationship between
spring and winter.
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