Pretentious Yet Pointless

	Pretentious Yet Pointless

Artist:	Aris, Sol
Medium:	Acrylics on virtual canvas
Title:	Randomly generated image 1133739850
Date:	Tue Nov 10 17:39:48 UTC 2026
Description:	The layers of approaching curves are intertwined in a glorious send-up of constructive colour theory. The viewer is drawn by the relationship of the spectator of the prototype into the world of measure when calculating long periods of time. Sol Aris has not supplied the colour pallette of this image. The image shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. The artist does not use traditional proportions to restrict the colours, which therefore subsist in a world of their own choosing. A perpetually changing glammerdummering, the scale and openness of which is always the same, is often transformed by the perception of the reviewer. The sculpture shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. Unexpectedly, we see the leading centralism symbolising the inner ego curve back and forth, suggesting unreliability. Such forms, rabid and disconcerting, create disarmingly intenste shivers of emotion. The strangely distorted downward soaring articulations in this prototype, despite appearing disarmingly simple at first glance, create in the mind slender lissome curves... It is important to understand that the idea behind post-impressionistic art is that it encourages the viewer to define the composition in terms of space, rather than mass. The work shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. A particularly contentious aspect of this doodle is the dominant angularity and horizontality contrasting strongly with the arena of contrasting white wine and the infant knee so clearly visible. The beribboned background belies a reflection of the process of creation. In the Suprematist theory, the visual phenomena of the unexplored world are, in themselves, meaningless: the important thing is feeling, as such. An important part of the image is that it is a division of space that parallels the divisions and interstices of the mind. A notable feature of this image is the dominant angularity and horizontality contrasting strongly with the subtly distorted downward flying elements of the work. The arena of contrasting tone and hue of Sol Aris's previous works are clearly visible here, but unrecognizably altered. Sol Aris has not described the meaning of this piece. A notable feature of this particular work is that it is a reflection of the artist's soul. The adorned figure indicates the sensuality of intoxification. The writhing curves are forever engraved in a glorious send-up of misery. ``The problems dealt with in abstract art relate to the interplay of forces; the geometrical forms often used by abstract artists do not indicate (as has been thought) a conscious and intellectual, mathematical approach -- a square and a circle in art are nothing in themselves and are alive only in the instinctive and ispirational use an artist can make of them in expressing a poetic idea'' [Ben Nicholsen, Notes on Abstract Art, 1942]
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