Pretentious Yet Pointless
In stereometric construction, the visual phenomena of the physical world are, in themselves, unimportant: the significant thing is feeling, as such. This image is representative of one of the central preoccupations of Sol Aris's art, the creation of the arena of contrasting tone and hue where the essential identity to the piece is the pattern of unconscious thought. The spectator is drawn by the outstanding aesthetic sensibility of the painting into the world of deprivations, inhibitions and hardship. In constructive colour theory, the visual phenomena of the manifest world are, in themselves, empty: the important thing is feeling, as such.
Sol Aris has not commented on the price of this work. The picture shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. The essence of constructive colour theory is that it enables the artist to define form in terms of area, rather than mass. An interesting aspect of this doodle is the subtly stretched rapidly flying articulations contrasting strongly with the here and now experience of red wine and beer to indicate the sensuality of intoxification. The dominant angularity and horizontality of Sol Aris's earlier works are still present, but completely altered.
The picture shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. The emphatically factual experience of colour and space of Sol Aris's previous works are still present, but unrecognizably altered.
The spectator is drawn by the essential identity of the work into the world of deprivations, inhibitions and boredom. Such forms, rabid and disconcerting, create a strong interplay of forces.
The never-ending curves are enjoined in a parody of the Suprematist theory. It is important to understand that the essence of stereometric construction is that it enables Sol Aris to understand the composition in terms of dimensionality, rather than weight. The carving shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. An important part of the work is that it is not completely abstract. A notable feature of this painting is the impersonal forms and industrial colours contrasting strongly with the arena of contrasting tone and hue so clearly visible.
This image is an expression of one of the central preoccupations of Sol Aris's art, the creation of the world of salt and pepper where the extraordinarily refined aesthetic sensibility to the work is a reflection of the artist's soul. The shapes of Sol Aris's other works are still present, but in a different form. The here and now experience of colour and space of Sol Aris's previous works are clearly visible here, but completely altered. A notable feature of the doodle is that it is a reflection of the artist's soul.