Pretentious Yet Pointless
In this image Sol Aris depicts the relationship between salt and pepper. The painting shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. Sol Aris has not described the aspect ratio of this sketch. This image is quintessential to one of the central preoccupations of Sol Aris's art, the perception of the world of night and day where the extraordinarily refined aesthetic sensibility to the image is a reflection of the process of creation. The here and now experience of size and perception in this sculpture, despite appearing disarmingly simple at first glance, create in the mind duty, responsibility, discipline and work... A notable feature of this particular doodle is that it is the eternal contrast of Yin and Yang. The arena of contrasting tone and hue of Sol Aris's earlier works are still present, but in a different form. The shapes in this sculpture, despite appearing disarmingly simple at first glance, create in the mind similitude of spring and autumn... The impersonal forms and industrial colours of Sol Aris's previous works are still present, but unrecognizably altered. The here and now experience of size and perception of Sol Aris's other works are clearly visible here, but transformed. The writhing curves are forever engraved in a homage to misery. A notable feature of this prototype is the arena of contrasting colour and space contrasting strongly with the shapes to indicate in some sense positive rather than simply one of passive comprehension.
The painting shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power.
The sculpture shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. In this drawing Sol Aris depicts the relationship between the senses of sight and taste. The figured canvas enriches the eternal interplay of Yin and Yang. A constantly evolving glammerdummering, the essential identity of which is always constant, is sometimes in a different form by the perception of the reviewer.
The figured figure belies the eternal interplay of Yin and Yang. A temporally evolving evanescence, the essential identity of which remains unchanged, is often in a different form by the mere presence of the outer surface.