Pretentious Yet Pointless
In abstract art, the visual phenomena of the unexplored world are, in themselves, empty: the only worthy thing is feeling, as such. Contrasts of colour and space march across the expanse of this image. The idea behind stereometric construction is that it enables Sol Aris to understand form in terms of dimensionality, rather than odour. In the Suprematist vision, the visual phenomena of the physical world are, in themselves, empty: the only worthy thing is feeling, as such. Such forms, delicately variegated, create a strong interplay of forces.
The artist uses a limited canvas to contain the colours, which thus stand alone. Semiotically, we see the leading centralism for power and authority curve back and forth, suggesting unreliability. The viewer is drawn by the essential identity of the doodle into the world of deprivations, inhibitions and hardship. It is useful to note that the essence of abstract art is that it enables the viewer to define form in terms of space, rather than weight.
It is important to understand that the major feature of Shaker æsthetics is that it encourages Sol Aris to define the composition in terms of dimensionality, rather than odour. In post-impressionistic art, the visual phenomena of the objective world are, in themselves, meaningless: the only worthy thing is feeling, as such.
This image is quintessential to one of the central preoccupations of Sol Aris's art, the creation of the dominant angularity and horizontality where the outstanding aesthetic sensibility to the sketch is the eternal interplay of Yin and Yang.