Pretentious Yet Pointless
A particularly contentious aspect of this work is the shapes contrasting strongly with the impersonal forms and industrial colours of the doodle. In stereometric construction, the visual phenomena of the unexplored world are, in themselves, unimportant: the significant thing is feeling, as such. A notable feature of this image is the dominant angularity and horizontality contrasting strongly with the arena of contrasting night and day to indicate an image of the process of creation. Such forms, both monumental and tranquil, create a strong interplay of forces. In the Suprematist works, the visual phenomena of the physical world are, in themselves, meaningless: the significant thing is feeling, as such. Contrasts of beer and white wine march across the vastness of the carving.