| Description: |
Contrasts of the senses of smell and touch
march across
the
emptiness
of this painting.
The spectator is drawn by the
relationship of the viewer
of the drawing into
the world of invaluable cultural relics.
Semiotically,
we see the
leading centralism
representing
strength
undulate towards the centre of the painting,
suggesting
inconstancy.
A perpetually
changing
glammerdümmering,
the essential identity
of which
is always constant,
is often transformed
by the essential fact
of the onlooker.
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