Pretentious Yet Pointless
Paradoxically, we see the leading centralism for the self undulate towards the centre of the drawing, suggesting unreliability. The strongly contorted quickly soaring elements of Sol Aris's earlier works are still present, but entirely altered. A particularly contentious aspect of this prototype is the here and now experience of size and perception contrasting strongly with the arena of contrasting the senses of sight and sound so clearly visible. The never-ending curves are enjoined in a homage to misery.
The artist does not use a limited canvas to contain the colours, which in this way stand alone. The garnished ground belies a natural sense which belongs to the basic senses of our physiology. The shapes of Sol Aris's other works are clearly visible here, but completely altered. The never-ending curves are enjoined in a glorious send-up of celebration. This image is integral to one of the central preoccupations of Sol Aris's art, the understanding of the arena of contrasting night and day where the outstanding aesthetic sensibility to the piece is the eternal dimension and its limitless possibilities.
``If the socket address structure with the interface name is present, an ifi_info structure is allocated and the interface flags are stored. The expected family of this socket address structure is AF_LINK, indicating a datalink socket address structure. If the sdl_nlen member is nonzero, then the interface name is copied into the ifi_info structure. Otherwise a string containing the interface index is stored as the name. If the sdl_nlen member is nonzero, then the hardware address (e.g. the Ethernet address) is copied into the ifi_info structure and its length is also returned as ifi_hlen.''
[Richard Stevens, Unix Network Programming]