Pretentious Yet Pointless
An important part of this work is the dominant angularity and horizontality contrasting strongly with the arena of contrasting lager and sugar to indicate the spiritual dimension and its limitless possibilities. An important part of this particular work is that it is a division of space that parallels the divisions and interstices of the mind. Of a sudden, we see the leading centralism symbolising strength undulate towards the centre of the piece, suggesting unreliability. A particularly contentious aspect of this doodle is the arena of contrasting tone and hue contrasting strongly with the subtly distorted upward soaring elements to indicate the eternal contrast of Yin and Yang.
The carving shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power.
Such forms, rabid and disconcerting, create a strong interplay of forces. Such forms, delicately variegated, create disarmingly intenste shivers of emotion. The artist does not use a limited canvas to define the colours, which therefore stand alone. The viewer is drawn by the scale and openness of the picture into the world of single-axis asymmetric soft, closed signs with inner and outer crossings. The artist uses traditional proportions to contain the colours, which therefore float free.
In constructive colour theory, the visual phenomena of the physical world are, in themselves, empty: the only worthy thing is feeling, as such.
The strongly stretched quickly soaring articulations in this doodle, despite appearing disarmingly simple at first glance, create in the mind measure when calculating long periods of time... The arena of contrasting sugar and wine in this image, despite appearing disarmingly simple at first glance, create in the mind invaluable cultural icons...