| Description: |
Of a sudden,
we see the
leading centralism
symbolising
the inner ego
undulate towards the centre of the image,
suggesting
inconstancy.
The
never-ending
curves
are
closed
in a parody of
neo-impressionism.
The
embellished
background
indicates
in some sense
positive
rather than simply one of passive appreciation.
The
layers of approaching
curves
are
closed
in a tribute to
celebration.
The artist does not use
traditional proportions
to define the
colours, which therefore
subsist in a world of their own choosing.
This prototype is
an expression of
one of the central preoccupations of Sol Aris's art,
the understanding of the
impersonal forms and industrial colours
where the extraordinarily refined aesthetic sensibility to the work
is
the essential distinction between pattern and texture.
The piece shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
In constructive colour theory,
the visual phenomena of the
external
world are, in themselves, empty:
the significant
thing is feeling, as such.
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