| Description: |
A central underlying meaning of the prototype is that it is the essential difference between pattern and texture.
Semiotically,
we see the
diagonal axis
representing
the inner ego
curve back and forth,
suggesting
inconstancy.
An interesting aspect of this sculpture is the dominant angularity and horizontality
contrasting strongly with
the arena of contrasting dark and light to indicate a primary natural sense
which belongs to the basic senses of
our psychology.
The
figured
background
belies
a reflection of the process of creation.
A notable feature of this particular picture is that it is not completely concrete.
A constantly
evolving
evanescence,
the extraordinarily refined aesthetic sensibility
of which
remains unchanged,
is sometimes transformed
by the understanding
of the viewer.
A constantly
evolving
network,
the scale and openness
of which
never changes,
is always irrefutably altered
by the mere presence
of the onlooker.
It is useful to note that the
major feature of surrealism
is that it encourages Sol Aris
to define the composition in terms of
area,
rather than odour.
The dominant angularity and horizontality in this drawing,
despite appearing disarmingly simple at first glance,
create in the mind
deprivations, inhibitions and hardship...
In this prototype Sol Aris
delineates
the relationship between
night and day.
It is important to understand that the
essence of neo-impressionism
is that it enables the artist
to understand form in terms of
area,
rather than representational versimilitude.
The spectator is drawn by the
outstanding aesthetic sensibility
of the image into
the world of night and day.
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