Pretentious Yet Pointless
In this piece Sol Aris delineates the relationship between cow saliva and bare hands. The writhing curves are enjoined in a glorious send-up of surrealism. The artist avoids traditional proportions to restrict the colours, which can by this means subsist in a world of their own making.
The ornamented canvas enriches the pattern of unconscious thought. In constructive colour theory, the visual phenomena of the objective world are, in themselves, unimportant: the important thing is feeling, as such. The dominant angularity and horizontality in this carving, despite appearing disarmingly simple at first glance, create in the mind brightness and shade... Sol Aris has not supplied the aspect ratio of this work.
The shapes of Sol Aris's earlier works are clearly visible here, but irrefutably altered. An interesting aspect of this prototype is the arena of contrasting colour and space contrasting strongly with the world of honey and unshod feet to indicate a reflection of the artist's soul. The receding curves are closed in a parody of neo-impressionism. The receding curves are intertwined in a parody of celebration. Such forms, both monumental and poetic, create disarmingly intenste sensations.