| Description: |
A particularly contentious aspect of this doodle is the here and now experience of
size and perception
contrasting strongly with
the world of colour and space of the work.
Such forms, quietly formal, create complex and fascinating interactions with the environment.
The viewer is drawn by the
essential identity
of the piece into
the world of images strong
in insight and association.
The picture shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
Such forms, rabid and disconcerting, create strong gestalt sensations.
The
major feature of post-impressionistic art
is that it enables Sol Aris
to define the composition in terms of
area,
rather than mass.
The artist uses
a rectangular grid
to contain the
colours, which thus
subsist in a world of their own choosing.
In post-impressionistic art,
the visual phenomena of the
objective
world are, in themselves, meaningless:
the important
thing is feeling, as such.
``If the socket address structure with the interface name is present,
an ifi_info structure is allocated
and the interface flags are stored.
The expected family of this socket address structure is AF_LINK,
indicating a datalink socket address structure.
If the sdl_nlen member is nonzero, then the interface name is
copied into the ifi_info structure.
Otherwise a string containing the interface index is stored
as the name.
If the sdl_nlen member is nonzero, then the hardware address
(e.g. the Ethernet address) is copied into the
ifi_info structure
and its length is also returned as ifi_hlen.''
[Richard Stevens, Unix Network Programming]
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