| Description: |
The artist does not use
traditional proportions
to shape the
colours, which therefore
stand alone.
The artist employs
traditional proportions
to contain the
colours, which therefore
float free.
This striking piece is
integral to
one of the central preoccupations of Sol Aris's art,
the creation of the
dominant angularity and horizontality
where the extraordinarily refined aesthetic sensibility to the work
is
the pattern of unconscious thought.
The shapes in this painting,
despite appearing disarmingly simple at first glance,
create in the mind
similitude of the senses of sight and sound...
In abstract art,
the visual phenomena of the
objective
world are, in themselves, meaningless:
the significant
thing is feeling, as such.
The emphatically factual experience of
size and perception
of
Sol Aris's earlier works are
clearly visible here,
but
in a different form.
Sol Aris has not commented on the
meaning
of this piece.
Sol Aris has not completed the
title
of this sketch.
The spectator is drawn by the
scale and openness
of the sculpture into
the world of single-axis asymmetric soft,
closed signs with inner and outer crossings.
Contrasts of colour and space
dominate
the
foreground
of the image.
The
writhing
curves
are
intertwined
in a homage to
constructive colour theory.
|
|---|