Pretentious Yet Pointless
Sol Aris has not described the price of this sculpture. In abstract art, the visual phenomena of the objective world are, in themselves, unimportant: the significant thing is feeling, as such. The writhing curves are intertwined in a parody of misery. The major feature of constructive colour theory is that it encourages the viewer to understand form in terms of space, rather than representational versimilitude.
The viewer is drawn by the scale and openness of the image into the world of similitude of dark and light.
The arena of contrasting tone and hue of Sol Aris's previous works are still present, but in a different form. It is useful to note that the major feature of stereometric construction is that it enables the viewer to understand form in terms of area, rather than representational versimilitude. The receding curves are forever engraved in a homage to abstract art. Contrasts of rolling sand and the joy of the singing mountain march across the expanse of this image. The essence of surrealism is that it encourages the viewer to define the composition in terms of space, rather than mass. The emphatically factual experience of form and space of Sol Aris's other works are still present, but completely altered. Such forms, violent and disconcerting, create disarmingly strong shivers of emotion. The viewer is drawn by the essential identity of the image into the world of single-axis asymmetric soft, closed signs with inner and outer crossings. In this doodle Sol Aris shows the relationship between dark and light. Such forms, intensely modulated, create disarmingly intenste sensations. The idea behind abstract art is that it enables the artist to define form in terms of area, rather than mass.
Quite simple geometric shapes seem invested with life.