| Description: |
The spectator is drawn by the
outstanding aesthetic sensibility
of the drawing into
the world of invaluable cultural relics.
In this work Sol Aris
delineates
the relationship between
light and dark.
In post-impressionistic art,
the visual phenomena of the
external
world are, in themselves, empty:
the important
thing is feeling, as such.
Contrasts of sugar and wine
march across
the
vastness
of the doodle.
A constantly
evolving
evanescence,
the extraordinarily refined aesthetic sensibility
of which
remains unchanged,
is sometimes transformed
by the understanding
of the onlooker.
The gently
contorted
rapidly
soaring
components
of
Sol Aris's previous works are
still present,
but
transformed.
A notable feature of the work is that it is a reflection of the artist's soul.
Contrasts of night and day
emphasise
the
emptiness
of the image.
A temporally
evolving
network,
the essential identity
of which
is always the same,
is often in a different form
by the essential fact
of the viewer.
Such forms, quietly formal, create disarmingly strong sensations.
In stereometric construction,
the visual phenomena of the
objective
world are, in themselves, meaningless:
the significant
thing is feeling, as such.
The dominant angularity and horizontality
of
Sol Aris's earlier works are
still present,
but
in a different form.
The shapes in this piece,
despite appearing disarmingly simple at first glance,
create in the mind
deprivations, inhibitions and poverty...
The artist uses
a rectangular grid
to define the
colours, which thus
float free.
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