| Description: |
Of a sudden,
we see the
leading centralism
symbolising
power and authority
undulate towards the centre of the prototype,
suggesting
inconstancy.
The
major feature of the Suprematist school
is that it encourages Sol Aris
to define the composition in terms of
dimensionality,
rather than representational versimilitude.
The arena of contrasting tone and hue in this image,
despite appearing disarmingly simple at first glance,
create in the mind
single-axis asymmetric soft,
closed signs with inner and outer crossings...
The
beribboned
figure
belies
an image of the process of creation.
The dominant angularity and horizontality
of
Sol Aris's earlier works are
still present,
but
in a different form.
The spectator is drawn by the
extraordinarily refined aesthetic sensibility
of the work into
the world of duty, responsibility, discipline and work.
In neo-impressionism,
the visual phenomena of the
manifest
world are, in themselves, unimportant:
the only worthy
thing is feeling, as such.
A temporally
changing
glammerdummering,
the essential identity
of which
is always constant,
is often in a different form
by the understanding
of the viewer.
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