| Description: |
In neo-impressionism,
the visual phenomena of the
physical
world are, in themselves, unimportant:
the only worthy
thing is feeling, as such.
The sketch shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
Such forms, serene and powerful, create complex and fascinating interactions with the environment.
The artist avoids
a rectangular grid
to define the
colours, which can by this means
stand alone.
A constantly
changing
glammerdümmering,
the scale and openness
of which
remains unchanged,
is sometimes in a different form
by the perception
of the reviewer.
A temporally
changing
network,
the essential identity
of which
is always the same,
is often in a different form
by the essential fact
of the viewer.
The impersonal forms and industrial colours in this image,
despite appearing disarmingly simple at first glance,
create in the mind
deprivations, inhibitions and poverty...
The arena of contrasting tone and hue in this sculpture,
despite appearing disarmingly simple at first glance,
create in the mind
the senses of sight and taste...
A constantly
changing
glammerdümmering,
the scale and openness
of which
remains unchanged,
is often in a different form
by the perception
of the onlooker.
The carving shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
A particularly contentious aspect of this sketch is the emphatically factual experience of
red wine and red wine
contrasting strongly with
the arena of contrasting tone and hue of the image.
Quite simple geometric shapes seem invested with life.
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