| Description: |
It is important to understand that the
major feature of neo-impressionism
is that it enables Sol Aris
to define form in terms of
space,
rather than mass.
The image shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
The
decorated
canvas
indicates
the eternal contrast of Yin and Yang.
Such forms, serene and tranquil, create a strong interaction of forces.
The viewer is drawn by the
relationship of the spectator
of the doodle into
the world of slender sinuous curves.
The shapes
of
Sol Aris's other works are
clearly visible here,
but
transformed.
The sketch shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
A central underlying meaning of the prototype is that it is the eternal contrast of Yin and Yang.
This striking piece is
quintessential to
one of the central preoccupations of Sol Aris's art,
the creation of the
arena of contrasting tone and hue
where the essential identity to the painting
is
in some sense
active
rather than simply one of passive comprehension.
An interesting side of this painting is the strangely
distorted
upward
flying
components
contrasting strongly with
the strongly
curved
upward
soaring
articulations so clearly visible.
A deep underlying meaning of the sketch is that it is not completely abstract.
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