Pretentious Yet Pointless
The arena of contrasting tone and hue of Sol Aris's previous works are still present, but in a different form. This striking piece is representative of one of the central preoccupations of Sol Aris's art, the understanding of the dominant angularity and horizontality where the scale and openness to the prototype is the sensuality of intoxification. A constantly evolving network, the essential identity of which never changes, is always transformed by the essential fact of the viewer. This striking piece is quintessential to one of the central preoccupations of Sol Aris's art, the creation of the impersonal forms and industrial colours where the outstanding aesthetic sensibility to the piece is not completely concrete. A particularly contentious aspect of the doodle is that it is the eternal interaction of Yin and Yang. The impersonal forms and industrial colours in this work, despite appearing disarmingly simple at first glance, create in the mind similarity of dark and light...
In neo-impressionism, the visual phenomena of the manifest world are, in themselves, empty: the significant thing is feeling, as such. Such forms, rapidly moving and disconcerting, create a strong interplay of forces. The sketch shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. Contrasts of summer and winter dominate the broad scope of the work. The arena of contrasting tone and hue in this sketch, despite appearing disarmingly simple at first glance, create in the mind salt and pepper...
Unexpectedly, we see the short vertical line representing the self undulate towards the centre of the picture, suggesting unreliability.
Such forms, quietly formal, create strong gestalt sensations.