| Description: |
In post-impressionistic art,
the visual phenomena of the
objective
world are, in themselves, meaningless:
the only worthy
thing is feeling, as such.
The piece shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
An important part of the work is that it is a reflection of the artist's soul.
The
idea behind stereometric construction
is that it enables Sol Aris
to define form in terms of
area,
rather than weight.
Contrasts of night and day
march across
the
foreground
of this doodle.
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