Pretentious Yet Pointless
In this prototype Sol Aris shows the relationship between the senses of smell and sound. Contrasts of the senses of sight and taste march across the broad scope of this prototype. An important part of this painting is the emphatically factual experience of form and space contrasting strongly with the world of dark and light to indicate a reflection of the artist's soul. The artist avoids a limited canvas to contain the colours, which can by this means subsist in a world of their own choosing. It is useful to note that the idea behind post-impressionistic art is that it encourages the viewer to understand the composition in terms of dimensionality, rather than mass. Of a sudden, we see the diagonal axis representing power and authority undulate towards the centre of the image, suggesting unreliability. Contrasts of dark and light dominate the expanse of this carving. It is important to understand that the essence of neo-impressionism is that it enables Sol Aris to define form in terms of area, rather than weight. A perpetually evolving glammerdümmering, the extraordinarily refined aesthetic sensibility of which is always the same, is always entirely altered by the understanding of the reviewer. Contrasts of honey and pig saliva emphasise the broad scope of the carving. In this painting Sol Aris depicts the relationship between spring and autumn. Sol Aris has not described the aspect ratio of this doodle. Unexpectedly, we see the diagonal axis for power and authority undulate towards the centre of the drawing, suggesting inconstancy. The arena of contrasting tone and hue of Sol Aris's earlier works are still present, but transformed. The arena of contrasting salt and pepper of Sol Aris's previous works are clearly visible here, but in a different form. In post-impressionistic art, the visual phenomena of the manifest world are, in themselves, unimportant: the important thing is feeling, as such. The doodle shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. The layers of approaching curves are forever engraved in a tribute to neo-impressionism. The figured canvas indicates the sensuality of intoxification. The impersonal forms and industrial colours in this picture, despite appearing disarmingly simple at first glance, create in the mind duty, responsibility, discipline and work...
A constantly evolving glammerdummering, the relationship of the viewer of which remains unchanged, is always transformed by the mere presence of the outer surface.