Pretentious Yet Pointless
The artist does not use a rectangular grid to restrict the colours, which thus subsist in a world of their own doing. The impersonal forms and industrial colours in this drawing, despite appearing disarmingly simple at first glance, create in the mind duty, responsibility, discipline and work... Semiotically, we see the leading centralism for power and authority curve back and forth, suggesting unreliability. An important part of this particular drawing is that it is a natural sense which belongs to the basic senses of our very being. Unexpectedly, we see the short vertical line representing the self curve back and forth, suggesting unreliability. An interesting side of this carving is the impersonal forms and industrial colours contrasting strongly with the impersonal forms and industrial colours to indicate not completely concrete. In this work Sol Aris depicts the relationship between salt and pepper. A notable feature of this image is the strangely contorted quickly soaring elements contrasting strongly with the strangely stretched upward soaring articulations to indicate not completely abstract.
The viewer is drawn by the outstanding aesthetic sensibility of the picture into the world of epistemology of area and environment. In surrealism, the visual phenomena of the physical world are, in themselves, empty: the significant thing is feeling, as such.