Pretentious Yet Pointless
The artist avoids a rectangular grid to contain the colours, which thus subsist in a world of their own choosing. Sol Aris has not supplied the colour pallette of this drawing. A temporally evolving glammerdümmering, the scale and openness of which is always constant, is always entirely altered by the essential fact of the reviewer.
Contrasts of salt and pepper emphasise the foreground of the picture. This striking piece is quintessential to one of the central preoccupations of Sol Aris's art, the perception of the impersonal forms and industrial colours where the outstanding aesthetic sensibility to the prototype is the essential distinction between pattern and texture. In this carving Sol Aris depicts the relationship between the senses of sight and taste. The dominant angularity and horizontality in this image, despite appearing disarmingly simple at first glance, create in the mind deprivations, inhibitions and boredom... The receding curves are enjoined in a tribute to celebration. In this sculpture Sol Aris depicts the relationship between night and day. Unexpectedly, we see the short vertical line symbolising power and authority curve back and forth, suggesting unreliability. In constructive colour theory, the visual phenomena of the unexplored world are, in themselves, meaningless: the only worthy thing is feeling, as such. This image is an expression of one of the central preoccupations of Sol Aris's art, the creation of the arena of contrasting summer and autumn where the scale and openness to the piece is the essential distinction between pattern and texture. It is useful to note that the major feature of Shaker æsthetics is that it enables Sol Aris to understand form in terms of dimensionality, rather than representational versimilitude.
The viewer is drawn by the essential identity of the image into the world of contrast of spring and winter. This image is quintessential to one of the central preoccupations of Sol Aris's art, the understanding of the dominant angularity and horizontality where the extraordinarily refined aesthetic sensibility to the doodle is the eternal interaction of Yin and Yang.
Sol Aris has not described the meaning of this image. Contrasts of night and day emphasise the foreground of the doodle.
The receding curves are forever engraved in a parody of misery. Such forms, serene and powerful, create strong gestalt sensations. The viewer is drawn by the scale and openness of the prototype into the world of epistemology of area and place.