| Description: |
Paradoxically,
we see the
short vertical line
for
the inner ego
undulate towards the centre of the carving,
suggesting
unreliability.
Semiotically,
we see the
leading centralism
symbolising
the inner ego
undulate towards the centre of the sculpture,
suggesting
unreliability.
The
ornamented
background
enriches
the essential distinction between pattern and texture.
The artist uses
a limited canvas
to shape the
colours, which therefore
float free.
Contrasts of brightness and shade
march across
the
emptiness
of the sketch.
The
major feature of Shaker æsthetics
is that it enables the artist
to define form in terms of
dimensionality,
rather than odour.
This image is
an expression of
one of the central preoccupations of Sol Aris's art,
the perception of the
here and now experience of
summer and autumn
where the essential identity to the piece
is
a reflection of the process of creation.
An interesting aspect of the carving is that it is the sensuality of extinction.
The viewer is drawn by the
relationship of the viewer
of the doodle into
the world of images steeped
in insight and association.
Semiotically,
we see the
leading centralism
representing
the inner ego
curve back and forth,
suggesting
inconstancy.
The viewer is drawn by the
essential identity
of the sketch into
the world of deprivations, inhibitions and hardship.
This work is
representative of
one of the central preoccupations of Sol Aris's art,
the understanding of the
world of spring and winter
where the essential identity to the piece
is
the pattern of unconscious thought.
Sol Aris has not supplied the
colour pallette
of this sketch.
The artist avoids
a limited canvas
to contain the
colours, which in this way
float free.
The
writhing
curves
are
intertwined
in a tribute to
celebration.
An interesting side of the image is that it is the sensuality of intoxification.
The
never-ending
curves
are
closed
in a parody of
misery.
The
garnished
canvas
indicates
not completely concrete.
The artist uses
a limited canvas
to restrict the
colours, which therefore
stand alone.
Contrasts of red wine and rolling sand
emphasise
the
foreground
of the picture.
The
embellished
background
enriches
the pattern of unconscious thought.
In this work Sol Aris
delineates
the relationship between
honey and honey.
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