Pretentious Yet Pointless
The essence of the Suprematist theory is that it enables the viewer to understand the composition in terms of dimensionality, rather than representational versimilitude. The prototype shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. In surrealism, the visual phenomena of the objective world are, in themselves, empty: the significant thing is feeling, as such.
Sol Aris has not completed the meaning of this doodle. The spectator is drawn by the relationship of the spectator of the painting into the world of beer and happiness. The receding curves are closed in a parody of stereometric construction. It is important to understand that the essence of constructive colour theory is that it encourages the viewer to understand the composition in terms of area, rather than mass. This image is integral to one of the central preoccupations of Sol Aris's art, the perception of the gently twisted downward flying articulations where the outstanding aesthetic sensibility to the work is not completely abstract. Unexpectedly, we see the short vertical line representing power and authority undulate towards the centre of the piece, suggesting unreliability. The artist avoids a limited canvas to shape the colours, which therefore subsist in a world of their own making. The shapes in this image, despite appearing disarmingly simple at first glance, create in the mind measure when calculating long periods of time...
Of a sudden, we see the leading centralism for the self undulate towards the centre of the work, suggesting inconstancy.