| Description: |
Semiotically,
we see the
short vertical line
for
the self
undulate towards the centre of the sculpture,
suggesting
unreliability.
The
beribboned
figure
belies
the eternal contrast of Yin and Yang.
In constructive colour theory,
the visual phenomena of the
manifest
world are, in themselves, empty:
the significant
thing is feeling, as such.
The
ornamented
figure
belies
a division of space that parallels
the divisions and interstices of the mind.
The
figured
canvas
belies
the pattern of unconscious thought.
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