Pretentious Yet Pointless
Such forms, both monumental and poetic, create a strong interplay of forces. Of a sudden, we see the diagonal axis representing the inner ego undulate towards the centre of the image, suggesting unreliability.
Pretentious Yet Pointless | |
| Artist: | Aris, Sol |
| Medium: | Acrylics on virtual canvas |
| Title: | Randomly generated image 1134607735 |
| Date: | Sat Nov 14 21:05:57 UTC 2026 |
| Description: |
A particularly contentious aspect of this painting is the shapes
contrasting strongly with
the impersonal forms and industrial colours of the work.
A deep underlying meaning of this doodle is the world of dark and light
contrasting strongly with
the shapes to indicate in some sense
active
rather than simply one of passive comprehension.
This work is
an expression of
one of the central preoccupations of Sol Aris's art,
the creation of the
arena of contrasting salt and pepper
where the scale and openness to the carving
is
the sensuality of extinction.
In abstract art,
the visual phenomena of the
physical
world are, in themselves, meaningless:
the important
thing is feeling, as such.
The arena of contrasting tone and hue
of
Sol Aris's previous works are
clearly visible here,
but
in a different form.
In post-impressionistic art,
the visual phenomena of the
objective
world are, in themselves, meaningless:
the important
thing is feeling, as such.
The arena of contrasting colour and space in this image,
despite appearing disarmingly simple at first glance,
create in the mind
similarity of night and day...
The artist uses
traditional proportions
to define the
colours, which in this way
float free.
In abstract art,
the visual phenomena of the
external
world are, in themselves, empty:
the important
thing is feeling, as such.
Sol Aris has not completed the
individuality
of this sculpture.
The arena of contrasting tone and hue
of
Sol Aris's previous works are
still present,
but
transformed.
A constantly
changing
network,
the relationship of the spectator
of which
never changes,
is sometimes transformed
by the essential fact
of the viewer.
This image is
integral to
one of the central preoccupations of Sol Aris's art,
the creation of the
arena of contrasting tone and hue
where the essential identity to the image
is
the sensuality of intoxification.
Of a sudden,
we see the
diagonal axis
symbolising
strength
undulate towards the centre of the picture,
suggesting
unreliability.
An important part of this piece is the impersonal forms and industrial colours
contrasting strongly with
the impersonal forms and industrial colours of the image.
Such forms, both monumental and poetic, create a strong interplay of forces. Of a sudden, we see the diagonal axis representing the inner ego undulate towards the centre of the image, suggesting unreliability. |
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