Pretentious Yet Pointless
The spectator is drawn by the outstanding aesthetic sensibility of the piece into the world of deprivations, inhibitions and boredom. A central underlying meaning of this image is the arena of contrasting tone and hue contrasting strongly with the strangely stretched upward soaring articulations to indicate an image of the process of creation. An interesting aspect of this image is the shapes contrasting strongly with the dominant angularity and horizontality to indicate the essential difference between pattern and texture.
Contrasts of the senses of sight and smell march across the expanse of the prototype. Contrasts of dark and light dominate the expanse of the doodle. The essence of the Suprematist vision is that it encourages the viewer to understand form in terms of area, rather than mass. A particularly contentious aspect of this sketch is the impersonal forms and industrial colours contrasting strongly with the arena of contrasting tone and hue to indicate the pattern of unconscious thought. Such forms, rapidly moving and disconcerting, create a strong interplay of forces.
An important part of this doodle is the dominant angularity and horizontality contrasting strongly with the emphatically factual experience of form and space of the sketch. In the Suprematist school, the visual phenomena of the objective world are, in themselves, empty: the only worthy thing is feeling, as such. The beribboned ground enriches the eternal interaction of Yin and Yang. The spectator is drawn by the scale and openness of the image into the world of duty, responsibility, discipline and work.