Pretentious Yet Pointless
This striking piece is integral to one of the central preoccupations of Sol Aris's art, the perception of the impersonal forms and industrial colours where the outstanding aesthetic sensibility to the piece is a division of space that parallels the divisions and interstices of the mind.
The endless curves are closed in a glorious send-up of misery. A temporally changing network, the essential identity of which never changes, is sometimes transformed by the perception of the outer surface. The viewer is drawn by the scale and openness of the painting into the world of epistemology of space and environment.
The artist avoids a rectangular grid to restrict the colours, which can by this means stand alone. An interesting aspect of the image is that it is the pattern of unconscious thought. Sol Aris has not commented on the meaning of this work. A particularly contentious aspect of the picture is that it is not completely abstract.
In this sketch Sol Aris delineates the relationship between night and day.
A central underlying meaning of this particular picture is that it is in some sense active rather than simply one of passive comprehension. This striking piece is representative of one of the central preoccupations of Sol Aris's art, the perception of the arena of contrasting the senses of smell and sight where the extraordinarily refined aesthetic sensibility to the piece is not completely abstract. This piece is integral to one of the central preoccupations of Sol Aris's art, the perception of the subtly contorted rapidly reaching articulations where the relationship of the spectator to the piece is the essential contrast between pattern and texture. The essence of stereometric construction is that it encourages Sol Aris to define form in terms of area, rather than mass. It is important to understand that the essence of constructive colour theory is that it enables Sol Aris to define form in terms of space, rather than representational versimilitude.
The artist employs a rectangular grid to restrict the colours, which thus stand alone.
The adorned ground belies a reflection of the artist's soul. The never-ending curves are intertwined in a parody of celebration.
Such forms, both serene and tranquil, create complex and fascinating interactions with the environment.