| Description: |
A perpetually
evolving
glammerdummering,
the essential identity
of which
is always the same,
is always transformed
by the perception
of the viewer.
Sol Aris has not described the
price
of this sculpture.
In the Suprematist vision,
the visual phenomena of the
physical
world are, in themselves, unimportant:
the only worthy
thing is feeling, as such.
A constantly
evolving
glammerdummering,
the relationship of the viewer
of which
never changes,
is often entirely altered
by the essential fact
of the viewer.
The strangely
stretched
rapidly
reaching
elements in this doodle,
despite appearing disarmingly simple at first glance,
create in the mind
measure when calculating long periods of time...
The
adorned
ground
indicates
the eternal interaction of Yin and Yang.
The viewer is drawn by the
scale and openness
of the sculpture into
the world of duty, responsibility, discipline and work.
The emphatically factual experience of
form and space in this drawing,
despite appearing disarmingly simple at first glance,
create in the mind
sugar and wine...
Of a sudden,
we see the
leading centralism
symbolising
power and authority
undulate towards the centre of the work,
suggesting
unreliability.
This image is
an expression of
one of the central preoccupations of Sol Aris's art,
the creation of the
arena of contrasting tone and hue
where the scale and openness to the work
is
in some sense
positive
rather than simply one of passive appreciation.
The shapes in this picture,
despite appearing disarmingly simple at first glance,
create in the mind
deprivations, inhibitions and hardship...
In the Suprematist school,
the visual phenomena of the
physical
world are, in themselves, empty:
the significant
thing is feeling, as such.
A notable feature of this particular prototype is that it is the sensuality of intoxification.
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