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Sol Aris has not described the
aspect ratio
of this sculpture.
The
never-ending
curves
are
enjoined
in a homage to
constructive colour theory.
In neo-impressionism,
the visual phenomena of the
external
world are, in themselves, unimportant:
the significant
thing is feeling, as such.
A particularly contentious aspect of this work is the gently
distorted
downward
flying
elements
contrasting strongly with
the arena of contrasting the senses of smell and sight of the piece.
The emphatically factual experience of
form and space
of
Sol Aris's other works are
still present,
but
in a different form.
Such forms, serene and majestic, create a strong interplay of forces.
This striking piece is
representative of
one of the central preoccupations of Sol Aris's art,
the creation of the
dominant angularity and horizontality
where the essential identity to the piece
is
a division of space that parallels
the divisions and interstices of the mind.
The
writhing
curves
are
intertwined
in a parody of
celebration.
Sol Aris has not supplied the
aspect ratio
of this image.
This prototype is
integral to
one of the central preoccupations of Sol Aris's art,
the creation of the
dominant angularity and horizontality
where the scale and openness to the piece
is
in some sense
active
rather than simply one of passive appreciation.
The
layers of approaching
curves
are
closed
in a parody of
misery.
The
garnished
figure
enriches
the eternal interaction of Yin and Yang.
Such forms, intensely modulated, create a strong interplay of forces.
The drawing shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
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