| Description: |
The spectator is drawn by the
essential identity
of the work into
the world of graceful sinuous curves.
The viewer is drawn by the
relationship of the spectator
of the sketch into
the world of slender sinuous curves.
The work shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
In post-impressionistic art,
the visual phenomena of the
objective
world are, in themselves, meaningless:
the important
thing is feeling, as such.
It is important to understand that the
essence of the Suprematist vision
is that it enables the artist
to define form in terms of
area,
rather than mass.
The emphatically factual experience of
size and perception
of
Sol Aris's other works are
still present,
but
transformed.
In the Suprematist school,
the visual phenomena of the
external
world are, in themselves, unimportant:
the significant
thing is feeling, as such.
Contrasts of dark and light
emphasise
the
vastness
of the picture.
The carving shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
Contrasts of sugar and wine
march across
the
broad scope
of the prototype.
The
decorated
canvas
belies
the pattern of unconscious thought.
The picture shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
An important part of the work is that it is a reflection of the artist's soul.
The
idea behind neo-impressionism
is that it encourages the artist
to define the composition in terms of
dimensionality,
rather than weight.
The shapes in this work,
despite appearing disarmingly simple at first glance,
create in the mind
contrast of the senses of sight and touch...
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