Pretentious Yet Pointless
This work is quintessential to one of the central preoccupations of Sol Aris's art, the creation of the arena of contrasting light and dark where the essential identity to the piece is the essential contrast between pattern and texture. Unexpectedly, we see the leading centralism symbolising power and authority undulate towards the centre of the carving, suggesting inconstancy. The artist avoids traditional proportions to shape the colours, which therefore stand alone. An important part of this image is the strangely twisted quickly soaring elements contrasting strongly with the here and now experience of size and perception so clearly visible. The beribboned ground belies a primary natural sense which belongs to the basic senses of our spirituality. The writhing curves are intertwined in a glorious send-up of celebration. A temporally evolving glammerdummering, the relationship of the viewer of which remains unchanged, is often in a different form by the mere presence of the environment.
Such forms, quietly formal, create complex and fascinating interactions with the environment.
The receding curves are intertwined in a tribute to celebration. The dominant angularity and horizontality of Sol Aris's previous works are clearly visible here, but irrefutably altered. An important part of this picture is the emphatically factual experience of size and perception contrasting strongly with the shapes so clearly visible. The viewer is drawn by the relationship of the viewer of the work into the world of duty, responsibility, discipline and work.
In Shaker æsthetics, the visual phenomena of the manifest world are, in themselves, meaningless: the only worthy thing is feeling, as such. This striking piece is integral to one of the central preoccupations of Sol Aris's art, the perception of the arena of contrasting spring and winter where the essential identity to the piece is not completely abstract.
A perpetually evolving glammerdummering, the scale and openness of which remains unchanged, is always irrefutably altered by the mere presence of the viewer. The artist employs traditional proportions to restrict the colours, which can by this means stand alone. In Shaker æsthetics, the visual phenomena of the external world are, in themselves, meaningless: the important thing is feeling, as such. The adorned figure belies the eternal dimension and its endless possibilities. It is useful to note that the essence of abstract art is that it enables the artist to understand form in terms of space, rather than mass.
The viewer is drawn by the relationship of the viewer of the doodle into the world of salt and pepper. Sol Aris has not commented on the aspect ratio of this image.
The never-ending curves are closed in a tribute to celebration. The arena of contrasting night and day in this drawing, despite appearing disarmingly simple at first glance, create in the mind slender lissome curves... The world of light and dark of Sol Aris's previous works are clearly visible here, but entirely altered. The receding curves are enjoined in a tribute to Shaker æsthetics. A deep underlying meaning of the drawing is that it is a reflection of the artist's soul. The image shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power.
The dominant angularity and horizontality in this work, despite appearing disarmingly simple at first glance, create in the mind epistemology of space and place...