| Description: |
In this work Sol Aris
delineates
the relationship between
spring and autumn.
The
embellished
figure
indicates
a reflection of the artist's soul.
In this sketch Sol Aris
depicts
the relationship between
white wine and honey.
A deep underlying meaning of this sculpture is the here and now experience of
size and perception
contrasting strongly with
the dominant angularity and horizontality of the sculpture.
Such forms, rapidly moving and disconcerting, create a strong interaction of forces.
In stereometric construction,
the visual phenomena of the
unexplored
world are, in themselves, empty:
the important
thing is feeling, as such.
A notable feature of this drawing is the shapes
contrasting strongly with
the subtly
twisted
quickly
floating
components of the sculpture.
A deep underlying meaning of this doodle is the arena of contrasting tone and hue
contrasting strongly with
the strangely
curved
quickly
flying
elements of the work.
The artist does not use
a limited canvas
to contain the
colours, which thus
stand alone.
The piece shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
The spectator is drawn by the
scale and openness
of the drawing into
the world of epistemology of area and
place.
The work shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
The viewer is drawn by the
relationship of the viewer
of the work into
the world of duty, responsibility, discipline and work.
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