Pretentious Yet Pointless
In this work Sol Aris delineates the relationship between the senses of smell and taste. It is important to understand that the major feature of neo-impressionism is that it enables Sol Aris to understand the composition in terms of dimensionality, rather than representational versimilitude. In Shaker æsthetics, the visual phenomena of the manifest world are, in themselves, empty: the significant thing is feeling, as such. An interesting side of the prototype is that it is the sensuality of intoxification. A central underlying meaning of this painting is the world of dark and light contrasting strongly with the gently distorted rapidly floating components so clearly visible. The impersonal forms and industrial colours of Sol Aris's other works are still present, but completely altered.