Pretentious Yet Pointless
An important part of this particular sculpture is that it is a division of space that parallels the divisions and interstices of the mind. This image is integral to one of the central preoccupations of Sol Aris's art, the perception of the strangely distorted rapidly soaring elements where the scale and openness to the doodle is a reflection of the process of creation.
In Shaker æsthetics, the visual phenomena of the unexplored world are, in themselves, empty: the significant thing is feeling, as such. The viewer is drawn by the outstanding aesthetic sensibility of the doodle into the world of epistemology of space and quintessential hereness. The garnished canvas indicates the eternal contrast of Yin and Yang. This painting is representative of one of the central preoccupations of Sol Aris's art, the perception of the arena of contrasting tone and hue where the relationship of the spectator to the prototype is a division of space that parallels the divisions and interstices of the mind. The image shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. The viewer is drawn by the extraordinarily refined aesthetic sensibility of the sketch into the world of invaluable cultural icons.
It is important to understand that the major feature of abstract art is that it encourages the viewer to understand form in terms of space, rather than mass. The artist employs a limited canvas to shape the colours, which in this way stand alone. It is useful to note that the essence of abstract art is that it enables the artist to understand form in terms of area, rather than representational versimilitude.