Pretentious Yet Pointless

	Pretentious Yet Pointless

Artist:	Aris, Sol
Medium:	Acrylics on virtual canvas
Title:	Randomly generated image 1393136220
Date:	Wed Jul 8 21:02:13 UTC 2026
Description:	The idea behind neo-impressionism is that it encourages the artist to understand form in terms of area, rather than mass. A constantly changing network, the essential identity of which remains unchanged, is always in a different form by the essential fact of the outer surface. An important part of this work is the arena of contrasting beer and white wine contrasting strongly with the impersonal forms and industrial colours to indicate the spiritual dimension and its endless possibilities. The figured ground belies a reflection of the artist's soul. The viewer is drawn by the scale and openness of the piece into the world of duty, responsibility, discipline and work. The dominant angularity and horizontality in this work, despite appearing disarmingly simple at first glance, create in the mind similitude of dark and light... The artist does not use traditional proportions to contain the colours, which can by this means stand alone. A temporally evolving network, the essential identity of which remains unchanged, is sometimes in a different form by the perception of the viewer. The beribboned background indicates the eternal dimension and its limitless possibilities. Unexpectedly, we see the diagonal axis representing the self undulate towards the centre of the image, suggesting unreliability. In this work Sol Aris delineates the relationship between bare feet and salt. A constantly evolving glammerdümmering, the outstanding aesthetic sensibility of which is always constant, is sometimes transformed by the perception of the onlooker. The viewer is drawn by the extraordinarily refined aesthetic sensibility of the work into the world of single-axis asymmetric soft, closed signs with inner and outer crossings. The viewer is drawn by the scale and openness of the work into the world of epistemology of space and place. In this carving Sol Aris shows the relationship between dark and light. Of a sudden, we see the diagonal axis representing the self undulate towards the centre of the sketch, suggesting inconstancy. A perpetually changing glammerdümmering, the scale and openness of which is always the same, is sometimes in a different form by the understanding of the viewer. The world of summer and winter of Sol Aris's previous works are still present, but transformed. In Shaker æsthetics, the visual phenomena of the physical world are, in themselves, empty: the only worthy thing is feeling, as such. ``It is important to know under what circumstances simultaneous effects will occur and how they can be counteracted. There are many problems in colour that preclude solutions using simultaneous contrast.'' [Johannes Itten, The Art of Color]
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