| Description: |
The viewer is drawn by the
scale and openness
of the work into
the world of single-axis asymmetric soft,
closed signs with inner and outer crossings.
The artist does not use
a rectangular grid
to define the
colours, which thus
subsist in a world of their own doing.
In stereometric construction,
the visual phenomena of the
objective
world are, in themselves, unimportant:
the only worthy
thing is feeling, as such.
The arena of contrasting tone and hue in this image,
despite appearing disarmingly simple at first glance,
create in the mind
invaluable cultural relics...
Such forms, violent and disconcerting, create a strong interplay of forces.
Such forms, serene and majestic, create disarmingly strong shivers of emotion.
The
garnished
canvas
enriches
an image of the process of creation.
In constructive colour theory,
the visual phenomena of the
objective
world are, in themselves, meaningless:
the important
thing is feeling, as such.
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