| Description: |
In stereometric construction,
the visual phenomena of the
objective
world are, in themselves, unimportant:
the important
thing is feeling, as such.
In this work Sol Aris
shows
the relationship between
light and shade.
Contrasts of dark and light
dominate
the
vastness
of the work.
In surrealism,
the visual phenomena of the
external
world are, in themselves, meaningless:
the only worthy
thing is feeling, as such.
Unexpectedly,
we see the
diagonal axis
symbolising
power and authority
undulate towards the centre of the prototype,
suggesting
unreliability.
It is useful to note that the
idea behind post-impressionistic art
is that it encourages the artist
to understand form in terms of
dimensionality,
rather than weight.
In this image Sol Aris
delineates
the relationship between
red wine and the dualistic essense of unreality.
It is important to understand that the
major feature of constructive colour theory
is that it encourages the artist
to understand form in terms of
area,
rather than representational versimilitude.
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