Pretentious Yet Pointless
A particularly contentious aspect of this particular prototype is that it is a reflection of the artist's soul. An important part of this work is the emphatically factual experience of form and space contrasting strongly with the dominant angularity and horizontality so clearly visible. The arena of contrasting the senses of smell and taste of Sol Aris's other works are still present, but in a different form.
In Shaker æsthetics, the visual phenomena of the unexplored world are, in themselves, meaningless: the important thing is feeling, as such. In the Suprematist school, the visual phenomena of the unexplored world are, in themselves, meaningless: the important thing is feeling, as such. The world of summer and autumn in this piece, despite appearing disarmingly simple at first glance, create in the mind epistemology of area and environment...
Semiotically, we see the leading centralism representing the self curve back and forth, suggesting inconstancy. Such forms, quietly formal, create disarmingly intenste shivers of emotion.
The spectator is drawn by the essential identity of the work into the world of deprivations, inhibitions and hardship.