Pretentious Yet Pointless

	Pretentious Yet Pointless

Artist:	Aris, Sol
Medium:	Acrylics on virtual canvas
Title:	Randomly generated image 1393187915
Date:	Sun Jul 26 20:59:29 UTC 2026
Description:	A particularly contentious aspect of this particular sketch is that it is the eternal interplay of Yin and Yang. Sol Aris has not described the colour pallette of this image. In the Suprematist vision, the visual phenomena of the physical world are, in themselves, unimportant: the important thing is feeling, as such. Semiotically, we see the short vertical line symbolising strength undulate towards the centre of the image, suggesting inconstancy. The receding curves are closed in a homage to misery. The sculpture shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. It is important to understand that the idea behind abstract art is that it enables the artist to define form in terms of space, rather than weight. It is useful to note that the essence of neo-impressionism is that it encourages the artist to understand form in terms of area, rather than weight. The adorned background indicates a division of space that parallels the divisions and interstices of the mind. In post-impressionistic art, the visual phenomena of the external world are, in themselves, empty: the important thing is feeling, as such. This striking piece is an expression of one of the central preoccupations of Sol Aris's art, the creation of the world of toothpaste and unshod feet where the scale and openness to the piece is a reflection of the artist's soul. The arena of contrasting tone and hue of Sol Aris's earlier works are still present, but in a different form. Such forms, intensely variegated, create a strong interplay of forces. Paradoxically, we see the short vertical line symbolising power and authority curve back and forth, suggesting inconstancy. In stereometric construction, the visual phenomena of the manifest world are, in themselves, meaningless: the only worthy thing is feeling, as such. Contrasts of the dualistic essense of unreality and ecstasy march across the foreground of this drawing. Of a sudden, we see the diagonal axis symbolising strength curve back and forth, suggesting unreliability. A particularly contentious aspect of this painting is the gently stretched downward floating articulations contrasting strongly with the world of night and day so clearly visible. The impersonal forms and industrial colours of Sol Aris's previous works are clearly visible here, but transformed. Semiotically, we see the leading centralism representing the self curve back and forth, suggesting unreliability. Sol Aris has not described the title of this work. ``It is important to know under what circumstances simultaneous effects will occur and how they can be counteracted. There are many problems in colour that preclude solutions using simultaneous contrast.'' [Johannes Itten, The Art of Color]
	next work