| Description: |
The emphatically factual experience of
colour and space
of
Sol Aris's previous works are
still present,
but
transformed.
The work shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
Such forms, quietly formal, create disarmingly intenste feelings.
Contrasts of the senses of smell and sight
emphasise
the
vastness
of this carving.
The emphatically factual experience of
form and space
of
Sol Aris's other works are
clearly visible here,
but
in a different form.
The
endless
curves
are
enjoined
in a tribute to
abstract art.
It is useful to note that the
idea behind the Suprematist theory
is that it encourages the artist
to define form in terms of
area,
rather than mass.
In this work Sol Aris
delineates
the relationship between
sugar and wine.
Sol Aris has not described the
title
of this image.
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