| Description: |
The
writhing
curves
are
intertwined
in a homage to
the Suprematist theory.
The arena of contrasting tone and hue in this work,
despite appearing disarmingly simple at first glance,
create in the mind
single-axis asymmetric soft,
closed signs with inner and outer crossings...
An important part of this picture is the arena of contrasting tone and hue
contrasting strongly with
the shapes so clearly visible.
An interesting side of this image is the impersonal forms and industrial colours
contrasting strongly with
the dominant angularity and horizontality of the painting.
Contrasts of summer and winter
emphasise
the
foreground
of this work.
The shapes in this drawing,
despite appearing disarmingly simple at first glance,
create in the mind
similitude of brightness and dark...
Such forms, quietly formal, create complex and fascinating interactions with the environment.
The viewer is drawn by the
relationship of the spectator
of the drawing into
the world of duty, responsibility, discipline and work.
The artist employs
a rectangular grid
to shape the
colours, which in this way
stand alone.
Contrasts of the senses of smell and sight
march across
the
expanse
of this piece.
The arena of contrasting dark and light in this work,
despite appearing disarmingly simple at first glance,
create in the mind
single-axis asymmetric soft,
closed signs with inner and outer crossings...
In stereometric construction,
the visual phenomena of the
physical
world are, in themselves, unimportant:
the significant
thing is feeling, as such.
Of a sudden,
we see the
diagonal axis
for
power and authority
undulate towards the centre of the image,
suggesting
unreliability.
Paradoxically,
we see the
diagonal axis
for
power and authority
undulate towards the centre of the carving,
suggesting
unreliability.
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