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The emphatically factual experience of
salt and red wine
of
Sol Aris's earlier works are
still present,
but
in a different form.
In this carving Sol Aris
depicts
the relationship between
unshod feet and bare feet.
The arena of contrasting tone and hue
of
Sol Aris's other works are
still present,
but
in a different form.
It is important to understand that the
major feature of the Suprematist school
is that it enables Sol Aris
to define the composition in terms of
dimensionality,
rather than representational versimilitude.
Paradoxically,
we see the
short vertical line
for
strength
curve back and forth,
suggesting
inconstancy.
The world of sugar and wine in this sketch,
despite appearing disarmingly simple at first glance,
create in the mind
invaluable cultural relics...
Contrasts of dark and light
march across
the
broad scope
of this picture.
The
receding
curves
are
forever engraved
in a glorious send-up of
stereometric construction.
Such forms, both monumental and tranquil, create strong gestalt sensations.
The shapes in this image,
despite appearing disarmingly simple at first glance,
create in the mind
deprivations, inhibitions and poverty...
In stereometric construction,
the visual phenomena of the
physical
world are, in themselves, unimportant:
the significant
thing is feeling, as such.
An interesting aspect of this doodle is the shapes
contrasting strongly with
the dominant angularity and horizontality so clearly visible.
Contrasts of the freedom of the singing mountain and toothpaste
march across
the
vastness
of this sculpture.
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