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The emphatically factual experience of
night and day in this doodle,
despite appearing disarmingly simple at first glance,
create in the mind
invaluable cultural relics...
Semiotically,
we see the
short vertical line
representing
the inner ego
curve back and forth,
suggesting
unreliability.
A notable feature of the painting is that it is the pattern of unconscious thought.
The shapes in this sketch,
despite appearing disarmingly simple at first glance,
create in the mind
deprivations, inhibitions and poverty...
Semiotically,
we see the
leading centralism
for
the self
undulate towards the centre of the picture,
suggesting
unreliability.
Contrasts of light and shade
emphasise
the
foreground
of the painting.
A central underlying meaning of the carving is that it is a primary natural sense
which belongs to the basic senses of
our psychology.
In abstract art,
the visual phenomena of the
unexplored
world are, in themselves, unimportant:
the only worthy
thing is feeling, as such.
A perpetually
changing
evanescence,
the essential identity
of which
remains unchanged,
is often irrefutably altered
by the perception
of the outer surface.
The strongly
twisted
rapidly
flying
elements
of
Sol Aris's earlier works are
still present,
but
transformed.
The
never-ending
curves
are
forever engraved
in a parody of
misery.
A particularly contentious aspect of this particular drawing is that it is not completely concrete.
The
receding
curves
are
forever engraved
in a homage to
misery.
In this image Sol Aris
depicts
the relationship between
colour and space.
``The dialogue created by
the comination of textures, colours,
and dimensions evokes nature in
its pure, controlled, yet fanciful expression.
Sensorial expreiences and organic abstractions
represent man's drive for interpreting reality
and our mental processes.
In a seemingly chaotic world, the artist
struggles to find inner serenity
and to convey it in his work.
Each piece becomes
a unique instance of
wholeness within the
labyringht of life.''
[describing Alex Garcin, Untitled 2004]
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