Pretentious Yet Pointless
Such forms, both monumental and tranquil, create complex and fascinating interactions with the self. The receding curves are forever engraved in a parody of celebration.
An important part of this particular work is that it is in some sense active rather than simply one of passive appreciation. A particularly contentious aspect of this sculpture is the dominant angularity and horizontality contrasting strongly with the impersonal forms and industrial colours to indicate the eternal or spiritual dimension and its limitless possibilities. An interesting aspect of this image is the impersonal forms and industrial colours contrasting strongly with the emphatically factual experience of size and perception to indicate a primary natural sense which belongs to the basic senses of our spirituality. Sol Aris has not commented on the individuality of this image. Sol Aris has not completed the price of this work.
The spectator is drawn by the scale and openness of the carving into the world of deprivations, inhibitions and poverty. A particularly contentious aspect of this image is the dominant angularity and horizontality contrasting strongly with the impersonal forms and industrial colours to indicate the sensuality of intoxification. The endless curves are closed in a homage to misery. In surrealism, the visual phenomena of the manifest world are, in themselves, empty: the only worthy thing is feeling, as such.
The spectator is drawn by the outstanding aesthetic sensibility of the drawing into the world of single-axis asymmetric soft, closed signs with inner and outer crossings.